Scenes from the Music of Charles Ives (1971)
A poetic mix of masked revelry and human yearning set to the music of Charles Ives, a composer whose dark and stringent sensibility was comparable to Ms. Sokolow’s view of life.
Kurt Weill (1988)
Using the music of Kurt Weill, this six-part dance combines the powerful impact of the understated Sokolow gesture with her ability to translate musical pulse and cadences into rhythmic expression.
Magritte, Magritte (1970)
Inspired by the paintings of the Belgian artist Rene Magritte, Ms. Sokolow created an extraordinary surrealist dance-theater piece that carries Magritte’s images into action.
From the Diaries of Franz Kafka (1981)
One of Ms. Sokolow’s most handsome weavings into theater-dance of works of art and literature. A re-creation with brutal conviction of the writer’s sense of chill isolation in an overbearing world.
Isadora Duncan Classes with Francesca Todesco
Taught by long-time Duncan dancer, Francesca Todesco, this class offers an introduction into the technique and repertoire of legendary dance innovator, Isadora Duncan. Fridays 12:30–2 pm, starting September 21.
Artistic directorship passes to a new generation
Director Jim May, who inherited the Sokolow repertory in 2000 upon the choreographer’s passing, has announced the company’s artistic direction has been entrusted to long-time Sokolow dancer Samantha Geracht.
The language of the body — Interview with Jim May
The Director of the Sokolow Theatre/Dance Ensemble shares his thoughts about the company’s transition to a new generation of dancer/artistic directors, the state of modern dance today, and the relevance of Anna Sokolow’s work to the 21st century.
Odes (1965)
A luminous, searing vision of humanity, unsparing in its demands for intense physical concentration and dramatic depth.
Ride the Culture Loop (1975)
A bus route through New York’s patchwork of ethnic neighborhoods was the inspiration for this dance, jazz being the aural equivalent of the alienation and social schisms Sokolow was exploring.
Rooms (1955)
“Rooms” deals with the psychic isolation and unfulfilled desires of people living in the big city. The jazz score by Kenyon Hopkins catches the pulse and beat of modern society. An enduring masterpiece of twentieth-century art.