From the Reviews…

The generous program put together by Samantha Géracht, the Artistic Director of the Sokolow Theatre/Dance Ensemble, was made up of short dances by some of modern dance‘s early choreographers along with three newer works. … the evening was a performance, not a dance history conference or a visit with old scrapbooks, and the most important question, for me, was “does it work?” and by and large the evening’s dancers were by turns gripping, profound, and yes, entertaining.

Lest We Forget
Mary Cargill
danceviewtimes, June 1, 2018

 

[Anna Sokolow‘s] legacy has been valiantly carried on by Director Jim May and the recently appointed Artistic Director Samantha Géracht, both former Sokolow dancers. The program, subtitled “Moods and Dreams” ranged from the meditatively personal “Poem” to the haunting Holocaust-inspired “Dreams”. The dancers‘ grounded strength, unexaggerated power, and fierce theatrical determination made the works seen timeless.

In the Mood
Mary Cargill
danceviewtimes, March 13, 2018

 

[The] performers stare intently at us—calling to mind animals with a cage between them and their prey, or escaped prisoners trying to see into the darkness ahead. When they suddenly gaze toward the roof, you imagine that something deadly could rain down. Or a blessing. … it grips your heart. … The members of Sokolow Theatre/Dance Ensemble perform her works admirably, with a fervor and emotional nuance that she would have appreciated.

Anna Sokolow‘s Dark Spirit
Deborah Jowitt
DanceBeat, March 13, 2016

 

“Theater” is listed first in the title of the company founded by the late Anna Sokolow and the dancers all lived up to the billing, giving dramatically incisive and committed performances

The Way it Used to Be
Mary Cargill
danceviewtimes, March 11, 2016

 

[“Frida”] did show the dancers’ many strengths—their easy and free movements, their straightforward, unmelodramatic approach, and their belief, completely justified, in the power of these dances.

American Stories
Mary Cargill
danceviewtimes, December 9, 2014

 

Homage to Edgar Allan Poe … is best appreciated when one considers the rarity it was for dance and text to work together like this in the early 90s. Integrating art forms, it is a treat to see Sokolow‘s endeavor into this kind of fusion performance. … It is a joy to see [Jim] May in his element. He is a physical and expressive being, even after so many years in this field.

Eve Jacobs
StageBuddy, December 9, 2014

For Homage to Edgar Allan Poe, … Motifs of lament and of a hope of escape from some nightmarish doom are threaded in…and in a brilliant moment the solitary Luis Gabriel Zaragoza collapses into darkness. … Annabelle Lee, a hauntingly lyrical duet danced by Lucy Sydel and David Glista, begins with a feeling of gentle romance and includes a sustained, poetic lift; but death triumphs over love, and the dancers – just inches away from us – beautifully captured the tenderness of parting forever.

Anna‘s Americana
Oberon‘s Grove, December 08, 2014

 

I suggest that today’s young choreographers take a long look at Ms. Sokolow‘s work for its clarity, musicality and vivid imagery.

Anna Sokolow Way
Oberon‘s Grove, December 8, 2013

 

Odes deserves it proper place within the history of dance. … It is a strong work and just as a true great piece of art is has an element of timeliness.

“Odes” Sokolow Theatre/Dance Ensemble
Darrell Wood
NYC Dance Stuff, November 15, 2011

 

Majestic in its very simplicity, the timeless qualities of ODES are evoked by Edgard Varese’s often angular and elemental musical paintings. The dancers, a collective of unique individuals forged into a team by Jim May and [Lauren] Naslund, gave the kind of emotionally-connected dancing that the choreographer so passionately sought.

Anna Sokolow‘s ODES
Oberon‘s Grove, November 14, 2011

 

The ensemble segments [of “Odes”], danced by an augmented company of 23, fill the stage with complex action, breaking a large group into pieces that move independently but not randomly. With no loss of drive, the dance maintains a grandeur befitting its ancient Greek subject.

Keeping It Honest: Choreography That Stays True to Itself
Brian Seibert
The New York Times, November 13, 2011

“Odes” remains a luminous work deserving a place of honor. Inspired by the legends of ancient Greece, Sokolow made a spare dance that alternates between coiled energy and the freedom to leap like the wind. Accompanied by throbbing dissonances or by delicate flute melodies in music by Edgard Varèse (selected after the dance was already a fact), it seems unlike a hymn of praise. Instead, “Odes” re-creates a world haunted by nature’s mysteries. In this open landscape, the gods might reach out any time to snatch their prey.

Recalling ancient terrors, Anna Sokolow transforms Greek myth into modern dance
Robert Johnson
The Star-Ledger, November 12, 2011

 

The Joyce SoHo seems too small a theater to contain the talent of the late Anna Sokolow (1910-2000), one of America’s most critically acclaimed choreographers. Her wonderfully expressive dances deserve a grander showcase. … The current engagement, which opened on Thursday, may surprise those who only know “Rooms,” Sokolow’s notoriously grim study of urban alienation. This program shows another side of her offering wit and lyricism, and passions stirred to majesty.

Anna Sokolow Ensemble formed to honor choreographer
Robert Johnson
The Star-Ledger, April 28, 2010

 

For the venerable Anna Sokolow, … art wasn’t an understated or passive act, but something meant to be a reflection and a comment on contemporary life. In a program celebrating her centennial from Sokolow Theater/Dance Ensemble, which opened on Thursday night at the Joyce SoHo, that expressive nature was on display.

Birthday Party With Mexican Flair
Gia Kourlas
The New York Times, April 23, 2010

 

Sokolow‘s dances were like a balm. … like “Opus Jazz,” “Session for Six” is a rhapsodic display of youth and vitality. To see both performed on the same program would be heaven.

 Saluting a Change Agent and a Maverick of Dance
Gia Kourlas
The New York Times, September 15, 2008

 

Sokolow, who died in 2000, was primarily a tough chronicler of unfashionable misery. But she is lucky that longtime company members are knowledgeable and passionate enough to try to keep her work alive. And so it was possible, in a performance by Jim May’s Sokolow Theater/Dance Ensemble on Sunday night at the Merce Cunningham Studio, to savor how fresh her dance can look today.

Works Not New, but Right for the Time
Jennifer Dunning
The New York Times, April 22, 2008

 

Sokolow Theatre/Dance Ensemble keeps Anna Sokolow’s legacy, described by critic Walter Sorell as “theater danced and danced theater,” alive.

Sokolow Theatre/Dance Ensemble
Emily Macel
Dance Magazine, July 2006

 

Miss Sokolow’s great gift, however, is for the distilled image, and she is anything but a creator of poster art. Feeling is at the heart of her work, and the emotion infused into her dancers is meant to carry straight to the viewer. More often than not, she is on target and she hits deep.

Sokolow Takes a Bow for 50 Years
Anna Kisselgoff
The New York Times, January 20, 1991